Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Carl Larsson
lilla suzanne- petie fille

ID: 66351

Carl Larsson lilla suzanne- petie fille
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Carl Larsson lilla suzanne- petie fille


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Carl Larsson

Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.  Related Paintings of Carl Larsson :. | portratt av lars erik | utspokning-esbjorn utkladd | dagliljor | tyst protest | sjutton ar ingar i larssons |
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Adam Pijnacker
15 February 1622, Schiedam - buried 28 March 1673, Amsterdam ) was a Dutch Golden Age painter, mostly of landscapes. Pynacker was the son of a wine merchant, who was a member of the vroedschap, or city regency. He travelled to Italy and was gone for three years. In 1658 he converted to Catholicism in order to marry Eva Maria de Geest, Wybrand de Geest's daughter. In that year his portrait was painted by his father-in-law. In Schiedam he baptized two children, but from 1661 until he died, he lived on the Rozengracht in Amsterdam.
BERRUGUETE, Pedro
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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.






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